Showing posts with label diversity. Show all posts
Showing posts with label diversity. Show all posts

Friday, 12 December 2014

The Graveside Crowd

A Note on Depression, Perhaps

Today—the day I post this, not the day I write this—it will have been one month since my father died. As they say, he finally lost the battle against cancer. A short battle, though, with a rapid decline: there were only a few months between his diagnosis with a very treatable form of cancer and the total disintegration of his lungs. We were expecting it, I guess, but not so soon. When I got the call to fly out to Alberta, I knew what it meant, but I had not thought it would happen then.

We are not a family to mourn. What mourning we did, we did in the twenty-six hours between the time he lost consciousness and the time his body stopped. We did that little mourning as he turned from person into mere organism into mere matter. Even so, my mother noted that she often forgot what was going on as we spoke between us; I never forgot that I kept vigil, but it was hard to believe why it was I had a vigil to keep. And then, when he died, we told morbid jokes and we laughed. I cannot speak for my mother and brother, but I was exhausted and, to be honest, relieved that we would not spend another wakeful night in the hospital, sleeping in uncomfortable turns. Maybe this is why I laughed so hard.

When we got home, all three of us e-mailed some to explain what had happened, and we posted to Facebook so that we would not have to tell the rest individually. This is when the ritual began. This is when the world of the family, visited only by tactful nurses, was punctured by the social world. This is when the expectations arrived.

There we were, gripped in gallows humour, attempting to console those who looked to console us. The clichés of grief were all most of our Facebook friends and acquaintances had to offer, and they offered them in earnest, but to me they were mere noises, letters, pixel arrangements. I performed the role, or at least I tried, but it did not come easy; in that moment, I was not sad. But there was a certain injustice to it, I thought, that I should be made to perform this role for which I was not suited even though I was the one, supposedly, in need. Convention cannot encompass the enormity and variety of death; when it addresses the needs of those it addresses, they feel great comfort, I think, but for the rest of us the conventions can seem alien and false, even or especially when meant in earnest. I delivered my lines, as badly written as they were, because I recognized that this script is all my friends had to show that they cared, and I appreciated that they cared.

The only times I felt sadness were when people who knew my father grieved for him, too. These times were hard: cousins reached out, in clear distress themselves; his coworkers, who I had never met but whose admiration for my father was obvious, were shocked and confused; old friends of his did not know how to respond. That does remind me of one bit of tradition that meant something to me: one of his oldest friends, who still attends a church my family attended, promised to ring the bell once for every year he lived. I was not there to hear it, but I can imagine the bell of the old Lutheran tower ringing out across the crisp autumn swamp and farmyards on the other side of the country. In these cases all the social veneer fell away, but those few things which held meaning for us.

After a week I returned to Vancouver. I had classes to attend—but I did not attend them. They did not seem to matter. Death can really clarify your priorities, it is said; maybe this is so, but for me the trivialities were stripped of urgency only because everything was stripped of urgency. I had no motivation. I had no feelings of sadness because I had no feelings at all. Rather than emotions, I had symptoms. Low affect, low energy, high apathy, and disordered sleep I know well: it was depression again. It had been looming all term, and it came without surprises. I tried to finish out the term, and succeeded, but the final assignments I submitted only warranted a passing grade, I’m sure. Most people seem impressed that I managed them at all.

There is good news: other than the continued ruin of my sleeping schedule, my depression seems to have lifted. I regained my energy and motivation in the days before my assignments were due, thank goodness. For the most part, I have faced the people I know in the consciousness of my father’s death, and accepted their condolences, and I do not need to do this again. I have yet to see his sisters, my aunts; that will be hard. People still ask me how I am doing and I try to give them answers that aren’t flippant or facetious. The best answers, I’ve learned, are the vague ones: “Well… you know.” “As well as can be expected.” “Surviving.”

Because what else is there to say? I guess that is what the clichés are for: there is nothing to say, so we say phrases that mean nothing. In their absence of meaning we are left to understand that which cannot be said. But what happens when that which you cannot say differs from that which they assume you cannot say? Then clichés are not mandalas, but masks. And yet there is still nothing else to say.

More Notes on Depression

Wednesday, 24 September 2014

At the Feet of the Arkans

At the Weekly Wonders two weeks ago I posted about the Cainites. There have been lots of versions of the descendants of Cain—vampires, monsters, non-vegetarian barbarians—but I was looking at a specific, and very obscure, tradition from Jewish mysticism. It was said that Cain’s children were led by God into a dark cavernous world or place and where each given two heads. Their bicephaly was possibly a reminder of Cain’s brother Abel, who he killed, and thus the need for peace between siblings, but in the stories it usually seems to be a symbol for internal conflict. Solomon rules that Cainites are merely two-headed people rather than sets of twins sharing a body, and so the fact that one head is often pious while the other is wicked is taken as an external, visible sign of every human’s dual nature. Solomon, however, was wrong: two minds in two brains means there are two people. That is all the evidence you need. The land in which these Cainites were said to live is usually called Arka, so I tend to think of them as the Arkans.*

At the end of the Weekly Wonders post, I wondered what Arkan culture might look like:
But more interesting to me is to wonder what the society of Arka […] would be like: What would be their laws? How would they marry? (Note that, in Israel, the Cainite took only one wife rather than two.) What attitude would people with no exclusive claim to their own bodies have toward the ownership of property? What would be the history of their philosophy? Similar questions are posed, and some answers ventured, in other works featuring societies of bicephalic twins: Shelley Jackson’s novel Half-Life and Alluria Publishing’s Remarkable Races: The Taddol RPG supplements. But I would appreciate fuller answers, so you should feel free to offer your own.
No one took me up on that question—or not yet, anyway—but I’d still like to hear possibilities.

As I indicate, Alluria Publishing’s taddols are interesting. Their anatomies have particular implications for their culture: for instance, they do not practice strict monogamy or even marriage, I assume because taddols cannot participate in the sort of sexual exclusivity we tend to (rightly or wrongly) imagine is a central component of marriage. But what’s more interesting to me is that they do not have any sense of private property: with their stuff as with their own bodies, their attitude is “You can use it if no one else is.” What they are possessive of is their ideas. The supplement specifically mentions that taddols will hold long grudges or even start battles over philosophical disagreements (though the examples given have a really impoverished sense of what a philosophical disagreement might entail). I trouble following this logic, though: if a taddol is possessive of her ideas because it is the only thing that is truly hers, this implies a contrast to her body, which she shares with her sister. The implication is that she might have different ideas than her sister. However, the supplement suggests that you should play as taddol twins who have significantly different moral alignments, since it would be needlessly difficult to have your characters squabble over every decision, and the description of their culture suggests that taddols tend to do more than quarrel when they disagree.

It seems to me that Alluria Publishing is somewhat mistaken: taddols would be likely to have better, not worse, ways of living with disagreement than we singletons do. And this is why I want to speculate about Arkan culture. I suspect that Arkan culture must contain some wisdom that helps in conflict resolution and living despite disagreement. (I’m thinking of Wade Davis’s suggestion in The Wayfinders that different cultures contain, or even simply are, techniques for addressing different challenges or questions; I discussed that when I wrote about the Majesty 2: Monster Kingdom game.) In real life, there’s been some interest in how conjoined twins resolve their differences; Alice Dormurat Dreger’s One of Us: Conjoined Twins and the Future of Normal deals with this somewhat, but also see the video interviews with Abby Hensel and Brittney Hensel, who freely admit to arguing fairly often. But conjoined twins don’t have a tradition. There’s little sense that they can learn from conjoined twins before them, since conjoined twins rarely even meet anyone else like them, let alone have a chance to learn from them. Each pair must produce their own conflict resolution techniques on their own. The Arkans, though, would have a whole culture which would address this problem. I’ve written before that living with disagreement is a concern of mine, and even used conjoined twins as a brief example; living with disagreement must be done, but I’m still not entirely sure how.

What I’d love is if I had a cosmogony machine with which I could make worlds. I’d create a world which contained Arkans, and let them live for a hundred generations or so. I would let them build a civilization, or civilizations. I would let them write a literature and produce aphorisms and so on. I would give them time to forge a culture. And then I would visit them, and I would sit at their feet and learn.

Or would I? There are, today, experts in conflict resolution. Peacekeepers and diplomats exist. Once upon a time my own country was known for them, though not since our current PM destroyed that reputation with his tactlessness. There may not be a culture of living with disagreement, but there is a scholarly literature in it. I am sure I could sit at the feet of those experts and learn, but I do not. It is easier to imagine perfect teachers and lament their absence than to seek out the ones which exist.

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*I shoddy writing a fantasy story in which Arkan citizens petition to be recognized as two persons, meaning they can cast two votes (one per person) and cannot consent to an agreement for one another.

Tuesday, 23 September 2014

A Dating (Multi)Culture

Leah Libresco is kvetching about dating woes at her blog Unequally Yoked, in some conversation with other bloggers. One of these other bloggers, Thomas Umstattd, critiqued the courtship culture he had spent some portion of his life promoting and offered as a substitute a 1950s-style model of casual dating. In this model, people do not go out on a date with the same person twice in a row. If a guy takes you out for ice cream on Monday and you want to take him up on his invitation to the Saturday night dance, you need to get a date with someone else during the week. This way, accepting a date or asking someone out on a date doesn’t imply anything much, and you get to know a number of people in a romance-possible context without feeling like you’re leading them on. After all, if I know my date is seeing another guy two days from now, I can hardly feel entitled to her attentions or affections. What we call “dating” was called “going steady” or “exclusive” back then, and it meant that you’d then only go on dates with that one person. By the time anyone proposed marriage, you had gone on dates with rather a lot of people and had a sense of what you were looking for in a partner.*

Leah quite liked this model and was trying to think of ways to bring it back. Noting that dates with people you met online already had the 1950s implication but had many many other pitfalls, while dates with people you already knew tended to be over-invested with meaning even when it dodges online dating's pitfalls, she thought Umstattd’s grandma’s 1950s approach might well be the best one.

One of the commenters was leery, however. Cam was concerned that trying to construct a culture with such strict expectations might only work for some members of society:
What's so wrong with clear, open communication? It's the best and I think it can be nicely grounded in respect, feminism and all kinds of love. 
[…] 
If at any point a misunderstanding occurs, this isn't the end of the world, right? Clear it up, laugh it off, move on with life. I don't think trying to orchestrate a 'dating culture' is the best way to manage expectations among individuals. A 'dating culture' can still feature confusion too. 
Everyone is unique and there are a wide range of identities, approaches to life, sexualities and relationships that are conducive to love and happiness (please keep trying to learn/accept this). A wider culture is needed where all sorts of people can navigate all kinds of relationships safely and happily. That's why wishing for some sort of 'dating culture' isn't a good idea, the best way to manage expectations is through communication and respect. [emphasis mine]
Even though I had been interested in what Leah and Umstattd were suggesting, I wound up agreeing pretty strongly with Cam that such a culture was not going to be helpful for everyone. Of course, part of Leah’s and Umstattd’s concern with the way dating happens now is that it often doesn't; people hook up or make out instead, and see what happens from there. Now, no one I know started their current relationship that way, to my knowledge, but prevailing wisdom seems to be that that’s how most relationships start these days, and I don’t have the data to contradict that. Anyway, good-Catholic Leah isn’t interested in hook ups either for herself or as a cultural script, so she’s suggesting something else.

But I agreed with Cam, with some caveats:
I would mostly agree with you, but I'd need to add this caveat: there almost certainly are people who think they work best with one sort of relationship but actually don't work well with that sort of relationship, and there are almost certainly kinds of relationship that don't work well for anyone (even when they are all consenting), like the extreme courtship model Umstattd critiques. But allowing people to make those mistakes is a necessary evil (or really just inconvenience, I wager) that comes as a consequence of the far more necessary practice of allowing people to find and pursue the sort of relationship model that does work well for them.
Of course I was inclined to agree with Cam, because zer complaint was much like the sort of complaint I myself have made in other arguments. Like I was in those other arguments, Cam was accused of rank relativism, which I pointed out was silly because saying that there are multiple good answers doesn’t mean that all answers are good; good answers may even be in the minority, but still there can be more than one equally good answer. However, I feel like Cam’s suggestion ignores some of the original problem and it ignores that a dating culture of some sort will inevitably exist and the question is merely how explicit it is.

Let’s do those in reverse order. Cam wrote, “That's why wishing for some sort of 'dating culture' isn't a good idea, the best way to manage expectations is through communication and respect.” But, of course, managing expectations through communication and respect is a dating culture, or part of one. Communication and respect are things that work better if everyone does them, and they are things I certainly would have no problem pushing on other people, within the bounds that they themselves set, of course. By arguing that we should communicate and be respectful and otherwise expect as few particulars as possible from potential dating partners, Cam is in effect “wishing for some sort of ‘dating culture’,” just not the same one as Leah as wishing for.

And I think this is precisely the sort of dating culture we should be pushing for: one which is open about the kind of relationships people might engage in, but which insists that communication and mutual respect manage our expectations about those relationships. However, we have to add one more element in order for it to work: we need participants to know and accept that there are lots of different possible models and that what works for some people won't work well for everyone. In a sense, it’s like a culture which has multiculturalism baked into it, which has means of handling different scripts or etiquette as part of its scripts and etiquette. What I’ve described is a minimal sort of dating culture, but it’s probably the only acceptable one, where “acceptable” is defined as “not terrible for lots of people.”

However, this proposed dating culture has problems, and some of those problems are the very ones that Leah’s been complaining about. For example, it might be difficult to communicate to people what your expectations are, even if open communication is a norm. Leah can’t possibly be expected to recite her series of posts when she asks a guy out ice-skating or responds to an invitation to the local maple syrup festival. A person’s needs and expectations might be complicated, and it might not seem reasonable or possible to explain them all before going on a date. What would really help is a way of signalling what sort of relationship you’re interested in without having to conduct a screening interview with every applicant.

One of the other commenters—Randy Gritter—and I came to the same conclusion independently: a person could open a coffee shop that deliberately promoted itself as being a location for a particular kind of date (in this case, the kind Leah was proposing). The coffee shop would require an aggressive and canny marketing campaign so that everyone in the target customer base would understand its social role, but if it were to achieve that then everyone in the area would know what an invitation for coffee/tea at that particular coffee shop meant. There’s already a place for this if you’re looking for a hook-up (singles’ bars), but it would be nice to have such venues for many different romantic models. Today Leah proposed a dating service that one might tweak to these ends, and I might also suggest trying to develop and popularize a lexicon. All of these suggestions are intended to manage the same goal: creating options which are easy to communicate, and allowing people to develop, advertise, and communicate new options as needed.

Of course, all of this is already happening, but in a disjointed and often unacknowledged way. Again, there are yenta and dating sites and singles’ bars, and there are multiple models of dating which people struggle to communicate, and there are already campaigns pushing for communication and respect. What is needed is a framework—a dating culture—in which people acknowledge that there are multiple models and which allows people to communicate, or signal, their preferred relationship models (or relationship models they are willing to try, even if they aren’t the preferred option) to others as conveniently as possible. Two people who are romantically interested in one another might still disagree about the sort of relationship they should have because they have different needs and desires, but that’s still currently happening and would happen in the 1950s model or any other possible dating culture, unless there are literally only two options: strangers or married. All I’m asking for is that we salvage the existing mess by making it an explicit system.

And note that I'm being a bit ironic when I say "all I'm asking"; there's a tiny problem trying to orchestrate a dating culture, or any sort of culture at all, especially when you have no social clout whatsoever.

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*Think Archie Comics, if you've ever read those. Actually, I think a lot of the ways in which the Betty and Veronica trope plays out today is a strange artifact in which a franchise carries one generation's cultural expectations through several other generations, and those subsequent generations don't quite understand what they're seeing but don't misunderstand it enough to realize they're misunderstanding it. I mentioned at Leah's that Umstattd's description of 1950s dating is what made those comics finally click into place for me; otherwise, it's too easy to interpret the Betty-Archie-Veronica thing as a terribly dysfunctional/unstable poly triad.

Tuesday, 9 September 2014

The Singular Flavor of Souls

While I’m recording things I’ve read recently that do a far better job of articulating, and expanding, what I was trying to say last summer, I have two more things to mention that touch on what I was trying to get at with my posts on difference and the acknowledgement thereof. I assume there are many people for whom these ideas are well-trod ground, but they were new to me and it might be worth something to record my nascent reactions here.

In “From Allegories to Novels,” in which Borges tries to explain why the allegory once seemed a respectable genre but now seems in poor taste, he writes the following:
Coleridge observes that all men are born Aristotelians or Platonists. The Platonists sense intuitively that ideas are realities; the Aristotelians, that they are generalizations; for the former, language is nothing but a system of arbitrary symbols; for the latter, it is the map of the universe. The Platonist knows that the universe is in some way a cosmos, an order; this order, for the Aristotelian, may be an error or fiction resulting from our perfect understanding. Across latitudes and epochs, the two immortal antagonists change languages and names: one is Parmenides, Plato, Spinoza, Kant, Francis Bradley; the other, Heraclitus, Aristotle, Locke, Hume, William James. In the arduous schools of the Middle Ages, everyone invokes Aristotle, master of human reason (Convivio IV, 2), but the nominalists are Aristotle; the realists, Plato. […] 
As one would suppose, the intermediate positions and nuances multiplied ad infinitum over those many years; yet it can be stated that, for realism, universals (Plato would call them ideas, forms; we would call them abstract concepts) were the essential; for nominalism, individuals. The history of philosophy is not a useless museum of distractions and wordplay; the two hypotheses correspond, in all likelihood, to two ways of intuiting reality.[*]

But the distinction between nominalism and realism is not so keen as that, commentaries on Borges—Eco’s The Name of the Rose is notable—have noted, maybe missing that Borges might already have understood that.

I read Borges' essay months ago; Saturday, I read/skimmed the first chapter, written by Marcia J. Bates, of Theories of Information Behavior, edited by Karen E. Fisher, Sandra Erdelez, and Lynne (E. F.) McKechnie. In that chapter, I read this:
First, we need to make a distinction between what are known as nomethetic and idiographic approaches to research. These two are the most fundamental orienting strategies of all.
  • Nomothetic – “Relating to or concerned with the study or discovery of the general laws underlying something” (Oxford English Dictionary).
  • Idiographic – “Concerned with the individual, pertaining to or descriptive of single or unique facts and processes” (Oxford English Dictionary).
The first approach is the one that is fundamental to the sciences. Science research is always looking to establish the general law, principle, or theory. The fundamental assumption in the sciences is that behind all the blooming, buzzing confusion of the real world, there are patterns or processes of a more general sort, an understanding of which enables prediction and explanation of particulars.  
The idiographic approach, on the other hand, cherishes the particulars, and insist that true understanding can be reached only by assembling and assessing those particulars. The end result is a nuanced description and assessment of the unique facts of a situation or historical event, in which themes and tendencies may be discovered, but rarely any general laws. This approach is fundamental to the humanities. […]
Bates goes on to describe the social sciences as being between the two, the contested ground; at times, social sciences tend to favour one approach and then switch to the other. It is in the context of the social sciences that she talks about library and information science:
LIS has not been immune to these struggles, and it would not be hard to identify departments or journals where this conflict is being carried out. My position is that both of these orienting strategies are enormously productive for human understanding. Any LIS department that definitively rejects one of the other approach makes a foolish choice. It is more difficult to maintain openness to these two positions, rather than insisting on selecting one or the other, but it is also ultimately more productive and rewarding for the progress of the field.
I don’t think it’s difficult to see the realism/nominalism distinction played out here again, though it’s important to note that realism v. nominalism is a debate about the nature of reality, while the nomothetic v. idiographic debate concerns merely method (if method can ever be merely method).

Statistics, I think, is a useful way forward, though not sufficient. The idea of emergence, of patterns emerging at different levels of complexity, might also be helpful. Of course, my bias is showing clearly when I say this: Coleridge would say that I am a born Aristotelian, in that it is the individual that exists, not the concept. And yet it is clear that patterns exist and must be accounted for, and we probably can’t even do idiography without having ideas of general patterns, and it’s better to have good supportable patterns than mere intuitions and stereotypes. So we need nomothety! (I don’t even know if those are real nouns.) Statistics, probability, and emergence, put together, are a way of insisting that it's the individuals that are real while still seeking to understand those patterns the cosmos won't do without.

(And morality has to be at least somewhat nomethetic/realist, even if the idiographic/nominalist informs each particular decision, or else it literally cannot be morality, right?)

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As you can tell from the deplorable spelling of flavour, the title is a quotation, in this case taken from a translation of Borges' essay "Personality and the Buddha;" the original was published at around the same time as "From Allegories to Novels." The context reads like this:
From Chaucer to Marcel Proust, the novel's substance is the unrepeatable, the singular flavor of souls; for Buddhism there is no such flavor, or it is one of the many varieties of the cosmic simulacrum. Christ preached so that men would have life, and have it in abundance (John 10:10); the Buddha, to proclaim that this world, infinite in time and in space, is a dwindling fire. [...]
But Borges writes in "From Allegories to Novels" that allegories have traces of the novel and novels, traces of the allegory:
Allegory is a fable of abstractions, as the novel is a fable of individuals. The abstractions are personified; there is something of the novel in every allegory. The individuals that novelists present aspire to be generic (Dupin is Reason, Don Segundo Sombra is the Gaucho); there is an element of allegory in novels. 

* What is strange about Aristotle and Plato is that Plato was Aristotelian when it comes to people and Aristotle, Platonic. Plato admitted that a woman might be born with the traits of a soldier or a philosopher-king, though it was unusual, and if such a woman were born it would be just to put her in that position for which she was suited. Aristotle, however, spoke of all slaves having the same traits, and all women the same traits, and all citizens the same traits, and thus slaves must always be slaves and women subject to male citizens. I want to hypothesize, subject to empirical study, that racists and sexists are more likely to be realists and use nomothetic thinking, while people with a more correct view of people (at least as far as sex and race are concerned) are more likely to be nominalists and use idiographic thinking... but the examples of Aristotle and Plato give me pause. Besides, is not such a hypothesis itself realist and nomothetic?

Monday, 18 August 2014

Surviving, Thriving, and Neoclassicism

Scott Alexander at Slate Star Codex tries to figure out the different worldviews underlying conservative and liberal attitudes. He calls his result the Survive-Thrive spectrum. In his view, right-wingers tend to imagine that civilization is hanging by a thread: therefore, right-wingers want lots of police to prevent the loss of order through crime, and lots of soldiers to prevent it coming from outside. Citizens (or, anyway, the right citizens) should have lots of guns, just in case the threat is too big even for the police. Egghead intellectuals are of no real use: you need practical on-the-ground knowledge. They’re suspicious of outsiders, who not only take the stuff you need but might also destabilize the existing order. As Alexander writes, right-wingers look for “hierarchy and conformity.” If you want to imagine how a conservative thinks, you need to imagine you’re in a zombie apocalypse. Their goal is to Survive. (I suggest you read the whole post; he ties a lot of seemingly disparate conservative concerns into this point of view.)

Liberals, meanwhile, imagine society as headed towards utopia. Since crime is on the decline, police are more likely to cause trouble trying to assert their authority than they are to protect people. Because we have more than we need, it is more important that jobs are safe and fulfilling than productive. And because we have everything we need, we can focus our energy on more distant and longer-term concerns: the environment, eradicating inequality, etc. Liberals are oriented not towards Surviving but Thriving.

With the caveat that this is of course a spectrum rather than a dichotomy and that many people are inconsistent, acting sometimes in one way and sometimes in another, I think Alexander does a good job of describing some conservatives and some liberals, but his thought experiment has some problems as well. One of the biggest is that he omits a particular kind of conservative from his framework, the kind I’d call the neoclassicist.

Some conservatives, thinking that civilized society is hanging by thread, do not react by acting as though civilization is already crumbling and becoming either a military state or acting like roving bands of zombie-hunters, but by acting as civilized as they possibly can. Think of C. S. Lewis’s The Last Battle, where the protagonists insist on acting honourable despite the approaching apocalypse, or G. K. Chesterton’s The Man Who Was Thursday, where the protagonists fight anarchists by not being anarchists. In order to keep civilization from crumbling, these conservatives double-down on tradition, on etiquette, on the arts, on philosophy and science and other intellectual pursuits. In Battlestar Galactica, Commander Adama suggests that the fleet must do more than survive; they must also act such that they deserve to survive. So Survival is important to these conservatives, but they can only Survive by Thriving. Anything else isn’t Survival.

But they still wind up being very conservative. Because civilization depends on being super-civilized, they won’t tolerate many breaches of etiquette. Moreover, they can be very hostile towards different value systems. Civilization, after all, relies on everyone being civilized, so you cannot tolerate your neighbour’s polyamorous relationship or your daughter’s anarchist politics. Conformity is as necessary in this view as in Alexander’s conservative view, but Alexander’s Survivalists will allow certain standards to slip in order to react to the apocalypse which the neo-classicists won’t tolerate, since those slippages would result in the apocalypse. And changes or experiments in culture are potentially dangerous things, since they might turn out to destabilize the whole foundation of that culture; it’s not only art that is held to fairly conservative standards, but also social forms. If you allow same-sex marriage, the very idea of marriage would change, letting polygamy, incest, bestiality, and pedophilia in the door. Examples of neo-classicists include C. S. Lewis, G. K. Chesterton (as I implied above), Edmund Burke, the contemporary conservatives who tend to quote those people (see many of the writers for First Things and the American Conservative), and of course Alexander Pope and the other 17th-century neoclassicists I’m naming the whole group after.

(17th-century neoclassicists, roughly speaking, adhered to the following six principles: 1) Reason and judgement are the most admirable human faculties. 2) Decorum is paramount. 3) The best way to learn the rules is to study the classical authors. 4) Communities have an obligation to establish and preserve social order, balance, and correctness. 5) Invention is good in moderation. 6) Satire is a useful corrective for unreasonable action, poor judgement, and breaches of decorum.)

The neoclassicists are much more logical, I think, than the survivalists: if both groups note that civilization is hanging by a thread, the neoclassicists try to prevent the civilization from collapsing while the survivalists act as though it already has. The neoclassicist could point out the survivalists’ ironic mistake: by acting as though civilization has already collapsed, when it hasn’t yet, the survivalist may actually make the collapse more likely.

And, by the same token, I think Alexander describes certain liberals quite well, but I wouldn’t consider my own position well-described by his spectrum. Even if society is headed toward utopia, we clearly aren’t there right now. Acting as though we live in a utopia is a fantastic way to prevent a utopia from happening. So I would notice that some liberals might act like we’ve already arrived at utopia, but a more considered liberalism works towards making that utopia happen. The first sort of liberal is, ironically, less inclined to change than the second, because if you think you’ve achieved utopia, why bother changing anything? However, if utopia is possible but not yet attained, you have to work hard to get there: it’s from this more considered liberalism that we get anti-racist activists and ardent environmentalists and so forth.

Indeed, at a certain point and in some respects, leftists look a lot like neoclassicists. I would include myself among these. Some leftists reject the whole “headed toward utopia” vision; we would note with relief that we’ve made great strides in knowledge and medicine, but utopia is far off and we’ve maybe made some things far worse. Income inequality is in a terrible state, and economic mobility does not seem any better today than in 1600. 1600, however, did not have the threats of nuclear war, environmental collapse, or corporate ownership of your genetic material. Indeed, some leftists (including me) would see the world as drifting towards dystopia, not utopia. Civilization is hanging by a thread. But the solution (in our view) isn’t to double-down on tradition and so on, because the existing social order is part of the problem; the existing social order is what produced those nuclear warheads and this environmental precarity and that economic inequality. And the conservative avoidance of change and refusal to accommodate different perspectives is what creates a dystopian government. So my leftist response to thinking that civilization is hanging by a thread is not to double-down on tradition any more than it is to act like there’s a zombie apocalypse going on: my leftist response is to try and tear out all those bad traditions and replace them with something better. We want to try new things and welcome alien perspectives, because our own traditions do not contain the answer, or at least not the whole answer. Perhaps Alexander is right in not counting this as liberal; it may be better called radical. It’s the politics of socialists and anarcho-pacifists. The neoclassicists do not fit so well on Alexander’s Survive-Thrive spectrum, but we radicals fit even less well.

A final word on the Survive-Thrive spectrum: I am not sure how well the zombie apocalypse thought experiment works. It’s easy and tempting to think of a zombie apocalypse as ending civilization, but I don’t think that’s right. I suspect that neoclassicists and survivalists would respond to a zombie apocalypse differently: survivalists would become bands of disciplined survivors, while the neoclassicists would insist that the only way to really prevent the zombies from winning would be to still act honourably despite the apparent absurdity of that honour. In other words, perhaps it isn’t so telling to imagine that survivalists act like they are living in a zombie apocalypse because the culture people come out of would impact how they acted when that culture appeared to collapse. Rapture-ready folks would not act the same as transhumanists and singularity-mongers.

Possible glossary, bearing in mind that this does not describe all of the political landscape by any stretch:

Survivalist: a kind of conservative who, believing that civilization is hanging by a thread, acts as though the apocalypse has happened or has started. Think right-wing US gun nuts or al-Qaeda.
Neoclassicist: a kind of conservative who, believing that civilization is hanging by a thread, acts as civilized as possible. Think Edmund Burke, C. S. Lewis, or Eve Tushnet.
Thriver: a kind of liberal who, believing that society is headed towards utopia, acts as though society is already a utopia and therefore sees little point in challenging the status quo. Think… Hollywood celebrities, mostly?

Activist: a kind of liberal who, believing that society is headed towards utopia, acts to usher that utopia in. Think David Deutsch, Barack Obama, or Gene Robinson.
Radical: a kind of leftist who, believing that society is headed towards dystopia, acts to prevent dystopia by tearing out the parts of civilization pushing it that way. Think Marxists, Christian anarchists, or David Suzuki.

Caveat 1: This is all just a reaction to Slate Star Codex’s framing. I’m not sure how useful it will wind up being, and I don’t expect to think of people or movements primarily in terms of the glossary I’ve offered. This is no more than an offering, no more than one way of colour-coding the thoughtscape.
Caveat 2: I have not read enough of Slate Star Codex to know whether Scott Alexander has already addressed the conservatives I’m calling the neoclassicists. From my skimming, he does an excellent job showing some things that are terribly wrong with what I’m calling the survivalist viewpoint, but I don’t see much about the differences between neoclassicism and survivalism.

(Thanks to Leah Libresco for linking to Scott Alexander's post in one of her own and thus drawing it to my attention.)

Tuesday, 15 April 2014

Multiculturalism in the Monster Kingdom: Part II

Majesty 2’s Monsterculturalism

As I said in the first post, Majesty 2’s third and final expansion was called The Monster Kingdom, and this expansion let you play as the monsters rather than as the humans (and elves and dwarves). Not only did that excite me to no end, but I found the narrative even more compelling than I had anticipated.

Monster Kingdom begins with the Conclave of High Priests stealing the Crown of Ardania, using it to summon the legendary Spirit of Kings, and storming the palace. The Sovereign—that is, the player’s avatar—is smuggled out of the palace thanks to the quick thinking of the Adviser—the Sean Connery-esque narrative voice of the game—but the Conclave succeeds in installing the Spirit of Kings on the throne as their puppet. In order to find safety and muster an army to reclaim your throne, the Adviser forges an alliance with a tribe of goblins. Thus your quest to return to power begins by reconciling with your former enemies. As you reclaim territory and build up an army (and the infrastructure to sustain it), you must gain the trust of other goblin tribes and incorporate other creatures into your polity: liches, minotaurs, werewolves, koatls. Often you must undo actions you had completed in the previous games; in order to win the liches to your side, you must help resurrect an especially powerful lich that you had killed previously, and in order to recruit the minotaurs, you must destroy the ancient defense towers you helped Baron Pampa rebuild—towers which forced the minotaurs out of the area and prevented their access to ancestral territory.

What is interesting about this narrative is that all parties are changed by it. It is not only about how the humans' long dominance came to an end, but also how the monsters were brought together into a single polity—the eponymous Monster Kingdom. The goblins are now organized in a way more reminiscent of human than goblin culture, after all, since you run the kingdom the same way you ran your human one. Minotaurs now adventure with liches and ratmen. And the end of the game promises to involve integrating the human kingdom with your monster kingdom, once you get the Conclave under control. Grum-Gog’s shamans would have a place on that Conclave, and one of the liches’ demands before joining your cause was that you reserve for them three seats on the Council of Archmages. The minotaurs had their own demands, too, most of which involved a recognition of minotaur culture. Unfortunately, that is where the game ends; I assume we do not get to see what happens when humans and monsters are made to live in one kingdom. (I have not finished the game yet, so I cannot be sure.) But even prior to this it is clear that you are forging a new culture, a mix of human, gnome, goblin, ratman, lich, minotaur, koatl, and werewolf influences.

I am, alas, overstating the degree to which the game presents this cultural development. For one, there is little sense that the Sovereign and what remains of his human court really value anything the monsters offer except their military force: there is a running joke that the goblins’ pumpkin-based cuisine is unappetizing, and the way the game presents the minotaur demands suggest that they might be a joke about political correctness. (I actually think the things the minotaurs ask for are great: they want one of their holidays officially recognized, they want cultural centres and museums that attest to the fact that they have a civilization of their own, and, most interesting of all, they want a human legend re-written so that it no longer represents minotaurs are wild and bestial. I love that last one, because it actually demands that the other races change how they understand the minotaurs; however, it could also be a joke at the expense of feminist or anti-racist retellings of legends, fairy tales, and history.) And there isn’t much sense that the monsters change in response to one another, either. Ratmen seem to have little to no impact on the kingdom’s culture, despite being a part of it from the very beginning. Other than the fact that all of your heroes are equipped with goblin or human goods, there is little sense that they are learning new skills (or lifeways) from each other. Rather, they are living side-by-side in the same community, they have found a place for themselves within the goblin/human political and economic structure, and that structure has accommodated them, but they remain otherwise unaffected by their new-found proximity, even when you’ve assigned goblins and ratmen and werewolves all to the same party. Were is the minotaur who decided to become a shaman? Were is the gnome who decided he could be a hero rather than a labourer or guard? An why are the fire elementals, who show some signs of sentience, not volunteering to join the Monster Kingdom?

The only instance of one monster race adopting the lifestyle, values, or technologies of another race comes in the option to upgrade Ratman Robbers to Paladins to Grum-Gog. The story goes that the paladins of Daurus went underground as missionaries to the ratmen, but it seemed that their words fell on rocky soil. Some years later, however, humans began encountering the Paladins to Grum-Gog; it turns out that the ratmen had no interest in Dauros, but they were impressed by the idea of a paladin, and applied that idea to their own god, instead. Except it’s interesting to note that Grum-Gog is not, exactly, the ratmen's god; at least as established in the original Majesty, which Majesty 2 occasionally references as its own past, Grum-Gog is explicitly the goblins' god. Not only have the ratmen adopted a human type of religious specialist, but they have applied it to a goblin god. However, all of this occurs before the development of the Monster Kingdom. We do not get to see any of this syncretism or religious inculturation within the timespan of the game. Each race is for the most part content to live in the same community, but not in the same way, as the other monsters.

Of course this is a common way of thinking about multiculturalism, at least in Canada: there is one core or standard cultural framework, which is willing to accommodate other cultures, so long as those cultures are willing to fit within that framework. So, English or French culture makes the framework, and other cultures must fit into it. But the framework-cultures are also understood as flexible (after all, in its secularism it can accommodate the others) and evolving (it is the culture that drives technological development and social reform). The other cultures do not, in the multicultural imagination, evolve; they are time-bound, old-fashioned, traditional; they are relics. Members of those other cultures (other races, that is) are allowed to practice their time-bound cultures, we have allowed them to do that, but if they want to move forward, they had better adopt parts of the mainstream, dominant, evolving culture. The problem with this vision, of course, is that all cultures change and evolve, borrowing from one another and developing their own forms; no culture is locked in time, except and unless social governmental structures lock them in time. (I am drawing from Thobani’s argument in Exalted Subjects here.)

The way Wade Davis describes cultures in The Wayfinders seems relevant here: people have a finite amount of intellectual/creative resources (time, energy, material goods, and capital), and any use of these resources is a kind of investment. Different cultures have invested in different things, at first as a response to the physical environment and then in response to both the physical environment and the social environment that has developed. You wouldn’t go to the Polynesian wayfinders if you wanted brain surgery, he writes, but if you knew what you were doing you would go to the wayfinders before going to Westerners if you wanted to sail the ocean. Cultures are specialized, he is arguing, and they contain specialized knowledge that other cultures do not contain. When cultures come into contact, the people of those cultures would do well to learn from one another rather than engage in cultural conflict or, as in multiculturalism, build cultural siloes.

I’m not seeing, in Monster Kingdom, how the monsters are learning from one another, and I’m absolutely not seeing how the humans learn from the monsters. I think I know why this is: the game developers do not want to change the political and economic structure because they do not want players to have to learn to play a new game on top of familiarizing themselves with new units. RTSs with different kinds of units work best if those units fit in rigid, distinct niches; if they started learning from one another, these niches might start to erode. And more importantly, they need these units to be visually distinct, so it might be confusing if some of the archers you recruited were ratmen rather than goblins. While it would still be possible to make the game that I want without compromising on these practical necessities, I don’t think most players would care one way or another, so the developers have no incentive to make that game. But still, there is an interesting story about the formation of a new culture, maybe even a new kind of culture, and I would like to see that developed more. I would like to see the monsters learn from each other; I would like to see the humans learn from the monsters.


And before anyone else says it, yes, I know the answer to my problem is fan fiction.

Multiculturalism in the Monster Kingdom: Part I

Race, Religion, and Culture in Majesty: The Fantasy Kingdom Simulator

This two-part informal essay was written to be one post, but it wound up far too long, so I have  broken it into two parts. This first part will simply explain the mechanics of the computer games I will discuss, and why they appealed to me; if you are familiar with both Majesty and Majesty 2, I imagine you could skip right to Part II, though it might be good for you to read this one if you want to know how I am framing them for discussion.

Paradox Interactive’s Majesty 2 is the sequel to Cyberlore’s Majesty: the Fantasy Kingdom Simulator; the first Majesty was my favourite game for most of my life and still ranks in at least the top three. Both games are real-time strategy games (RTSs), putting you in the role of the Sovereign of a kingdom in a fantasy world called Ardania. You can order the construction of buildings and the research of improved technology. You can recruit heroes to defend your kingdom and enforce your decrees. You can set tax and building repair policies. You can commission spells from local temples and wizard’s guilds. As Sovereign, you attempt to complete quest, which usually involves building up a settlement, earning gold, and, invariably, trying to rout out the enemy monsters and defend your village against dragons, ratmen, goblin hordes, and the like.

What sets the Majesty games apart from other RTSs, however, is that you cannot directly control your heroes; instead, you can try to motivate their behaviour using reward flags (in the original, only Attack and Explore flags; the sequel adds Defend and Avoid flags), providing them with equipment, and constructing specific buildings which promote certain behaviours. You also carefully choose which heroes to recruit: Warriors tend to be stalwart and aggressive; Rogues are cowardly but highly motivated by gold, and also tend to steal from you; Rangers prefer to explore above all else and will; Paladins are stubborn and tend to take on foes well out of their league. (If you can’t tell, the franchise draws heavily from D&D.) These quirky, flawed, endearingly predictable, and frustratingly autonomous heroes are the heart of the game; the storylines leave much to be desired, but that’s usually fine given the minor dramatics your heroes will be getting into spontaneously.

In the original Majesty, there were three non-human races[1] you could recruit—elves, dwarves, and gnomes—but since elves and dwarves shared a mutual enmity, and neither of them cared for gnomes, you would have to choose only one. Which you chose would have an effect on your whole settlement, since if you chose dwarves, you could then defend your settlement with much superior defense towers; if you chose elves, your economy would grow but gambling halls and elven “lounges” (thinly veiled brothels) would pop up; and if you chose gnomes, slums would appear. In a subtle but important way, which non-human race you chose would influence your settlement’s culture, both cosmetically (lots of blue-tiled roofs if you choose elves) and mechanically (everything will be in good repair if you choose the handy gnomes).

And there was more: you could build temples to the assorted deities of Ardania, but these gods (and their followers) had a complex set of alliances and rivalries which meant that by building certain temples, you prevent yourself from building some of the others. For example, if you build a Temple to Dauros, god of law and commerce, or a Temple to Agrela, goddess of life, you can no longer build a Temple to Fervus, god of chaos and nature, or a Temple to Krypta, goddess of death. Again, your selections have subtle impacts on the culture of your settlement, both in flavour and mechanics. For instance, if you go with Krypta and Fervus, your settlement will likely be swarming with packs of charmed vargs (wolves) and rats thanks to Fervus’s cultists, and protected by mobs of skeletons thanks to Krypta’s priestesses.

Majesty 2 did not keep these mutual exclusions; instead, it limited the number of Temples you can build, in order to keep the need to choose between them, and it programed rivalry and hostility into the characters’ own decisions: paladins will attack a friendly priestess’s skeleton bodyguards, for instance. In addition, you can assign your heroes to adventuring parties, which stay together until you re-assign the heroes to new parties; there is an art to putting together a successful party, and part of the fun is pairing up mutually antagonistic characters together. I do not know how I feel about the change: on the one hand, you do still need to be deliberate about which temples you build, and it is fun to make dwarves and elves go a-Viking together; on the other hand, you settlement does not gain the same unique culture depending on your choice of temple. I miss the sense of custom-building local character depending on your navigation of these alliances and rivalries. (I suppose, in a way, what I liked about this RTS is that it had an element of an RPG to it: you could customize your kingdom by your choice of temples and non-humans much as you can customize your character in an RPG by whatever choices such a game offered. Majesty 2 loses some of that.)

Enter the Monster Kingdom expansion. This expansion was, in a lot of ways, exactly the game I had been day-dreaming of for years, for the simple reason that it lets you play as the monsters: your heroes are goblins, ratmen, minotaurs, and liches, not humans, dwarves, elves, and gnomes. (It wasn’t quite the game I dreamt of, only because the cosmetic change between Majesty and Majesty 2 meant the goblins I could play as were not quite the same goblins as in the original game, the ratmen weren’t quite the same ratmen as in the original, and so on. But close enough.) But in some ways it was more than I had been hoping for, in that the narrative frame holding the expansion together was far more interesting than what I would have written.

I will deal with that in a second post.




[1] I have a lot of trouble with this use of “race” in fantasy fiction and gaming, but I’m going to keep using it because Majesty uses it. If I had my druthers, the word we’d use would be “species.”

Saturday, 20 April 2013

To Exist is to Differ, Part Two

To Exist is to Differ

Difference as a Place of Study

Part Two


"I tend to see the similarities in people and not the differences."
Isabel Allende

A cursory look over my more politically- or socially-minded posts in the last few years indicates how obsessed I am with a proper attitude toward difference, even if I was not aware that this was a theme in my writing. In what is easily my most popular post of all time, "Sexy Bodies, Disabled Bodies," I introduce my interest in atypical anatomy, though at this time I was not aware of that term (which is Alice Dreger's). However, it is with my ill-fated (because unfinished) series on The Boundaries of Self that I insist that any definition of "body" or "self" must fully account for atypical anatomies without simply designating them "exceptions." The way I run with McCloud's Four Campfires, which is really a kind of structuralism, is to make it about difference rather than sameness. My most recent concern with ethics has been about meta-ethics, the ethics of addressing differences in ethical beliefs. When I talk about political axes (here and here), I get anxious about categories (left v. right) that ignore other ways organizing political belief and activity. I defend the existence of many denominations insofar as they address differences in congregants' needs. I consider myself a heretic in most communities (heretic: a person who has beliefs unorthodox to the community of which zhe insists zhe is a part). Also, if you were to pay much attention to what I say in the comment sections of those blogs in which I participate--Unequally Yoked, Experimental Theology, Elizabeth Esther--you'd probably notice that many of my contributions, and most of my arguments, involve me saying that someone or another is over-generalizing. What may have started out as simple contrarianism during my years as a teenager--when my Grade 9 English teacher said that a first-person past-tense narrator must always survive the story, I immediately wrote and submitted a short story in which the first-person past-tense narrator dies--has become for me a political and social commitment to the appreciation of difference.

I think my academic career has played a role in this, which I outlined in my previous post, as has my extra-curricular reading of post-modernists and continental philosophers. You could also attribute this, maybe (but only maybe), to my habit of hopping between Protestant churches, or my taste for speculative fiction, or my interest in psychology, or my habit of imagining what it would be like to be a non-human animal. (For instance, did you know that the Common Octopus has semi-autonomous limbs? The octopus's central nervous system instructs a limb to complete a particular task, but the limb works out how to achieve the task using its own local nerve cluster. While humans have something like this going on with our ganglia, octopedes' limbs actually do some of their own problem-solving, which is far more extensive than what our ganglia do. It would be fascinating to experience semi-autonomy of one's limbs.)

OK. So what do I mean by "a proper attitude toward difference"?

1. Epistemology. I don't fully know. I have only recently figured out, after all, that this has been a general issue in my thinking. I am also phobic of completion, or certainty, in my personal philosophy, so even if I had been thinking about this for years I doubt that I'd have come to any kind of conclusion.

2. Axiology. What I don't mean is some form of total ethical relativism. I don't think that different ways of doing things are all equally valid. I would say that there are multiple ways of doing things that are just as good, but that doesn't mean that all things are equal. Some ways of doing things are very bad. It's just that there isn't a single best way of doing things. (You might think of this as a few local optima, but none of those local optima are a global optima.) So while I'm not an ethical relativist, nor a metaphysical relativist, I could maybe called a weak cultural relativist.

3. Axiology. Of course there are certain kinds of difference which I would condemn. For instance, certain kinds of criminal behaviour are unacceptable deviations from typical behaviour. I wouldn't celebrate difference without qualification. But my condemnation is based on ethical violations; whether or not the behaviour is different--or, in a more loaded term, deviant--from other people's behaviour is irrelevant to my condemnation. By the same token, I am willing to criticize normative behaviour (for instance, capitalist materialism).

4. Metaphysics, Axiology. What I am willing to say is that a lot of differences aren't comprehensible in terms of good/bad, or good/better/best. Bodies, for instances, are never wrong; no body is better at being a body than another. Some bodies are in more pain than others, of course, and that might well be a result of differences in those bodies. Social conditions make certain bodies more comfortable than others. But there is no Platonic form of "body" from which any given body deviates. No body is more typical of body-ness than another body. Any claim you make about bodies ought to apply equally to all bodies; if it does not, your claim is false (or at least applies only to particular bodies, but that distinction ought to be clear and appropriate). A failure to account for atypical bodies, in fact, is easily the biggest reason why a lot of atypical bodies are uncomfortable to have; the body itself is often not uncomfortable (cf. Dreger's One of Us).

5. Axiology. I would also be willing to say that the failure to account for atypical bodies, or atypical psychology (or even typical but non-normative psychology, like introversion), is endemic to Western philosophy, politics, art...really just Western culture generally. It is also probably a problem in lots of non-Western cultures, too, but I can only speak about Western culture with any reliability. I opened this post with the Isabel Allende quote because it is an example of a common attitude that seems to be in support of inclusion but must result in a failure to understand, and thus to include, people who are different from me. Focusing on similarity at the expense of difference is not a moral good, but so many people seem to think it is a moral good.

6. Epistemology. In the end, I would say that, as with texts, to exist is to differ. Humans have a lot of similarities, yes, but we are also idiosyncratic. Whether those idiosyncrasies are for good or ill I cannot say, but any theory or program or attitude that fails to account for those differences cannot really explain human behaviour, human need, or human dignity. Such an epistemological failure cannot help but produce metaphysical and axiological failures as well. This, for me, is the bedrock of a proper attitude toward difference. (So, with apologies to Eve Tushnet, I actually am a special snowflake, and so are you.)

It's important to note that I have other commitments than just this respect for differences, and some of these commitments might trump the commitment to difference, but ultimately I don't think I can explain and understand my own ideas without at least addressing the above.

(tl;dr: Just as the differences between texts must be addressed in any explanation of those texts, so too must the differences between people be addressed by any account of human behaviour; failure to do so results in other failures, usually ethical or political ones; these failures are really common in our culture; there are a lot of different kinds of difference and it turns out that I talk about them a lot.)

To Exist is to Differ, Part One

To Exist is to Differ

Difference as a Place of Study

Part One

Recently I have been realizing that, for me, the proper appreciation and/or understanding of difference is one of the most important themes in how I think about social, political, and ethical matters. I want to think about this a bit over two posts, but I'll start out with some academic autobiography that might help explain why I think about things this way. The gist of it is that I was trained in the humanities, not in the sciences, but of course it's more complex than that.

Pierre Bourdieu, in "The Field of Cultural Production," writes, "to exist is to differ." What he means by this is that an artist, in order to be said to have produced art at all (by whatever definition of success, and these vary), must have a unique oeuvre (and a unique reputation). It also relates to Bourdieu's definition of art, which is anything that changes the field of art by participating in it with its own difference (roughly). As far as texts go, I take it to mean something a bit more obvious: in order for a text to exist, it must differ from other texts. If someone found a manuscript that was identical to Hamlet (let's say the B text, because it's a better play), then it would for all intents and purposes be a manuscript of Hamlet. Only if it were significantly different would it be a play unto itself.

(Of course, it is technically the case that having a different author is enough to make one text different from another. This may be the genius, or at least the only redeeming value, of Andy Warhol's work, in that all of his minor differences, like colour and contrast, emphasize the one difference he cares about, that between original and copy. An even better example of the copy-original difference, however, is Borges' excellent short story "Pierre Menard, author of the Quixote", in which the titular character re-writes Cervantes' classic, which is exactly verbatim but nonetheless different.)

In order to understand a text, then, you must understand what makes this text different from all other texts. Of course it is useful to understand how it is like other texts, too. We divide things into genres for a reason; when gathering texts together based on certain similarities, their differences become more salient. A lot of work can be done with similarity, but in the end it is what makes a text different from other texts that really helps us understand it.

There have been schools of literary analysis that have attempted to study similarity rather than difference. One of the most famous, in terms of its former prominence in the field and its current notoriety, is archetypal structuralism (not all structuralisms failed in quite the same way, but lots of the failed because of an inability to account for difference). This is the school championed by Northrop Frye. His goal was to create a schema, or set of schema, on which all texts could be charted. (This webpage summarizes these schemes and also makes visual representations of them.) His work is really fascinating in the way that, say, the more convincing forms of Ptolemaic astronomy or Freudian psychoanalysis are fascinating: it is detailed, well-worked out, surprisingly plausible, and ultimately fantastic. While he had quite a few of these structures, his most famous involves what he called the archetypal myths: Comedy, Romance, Tragedy, and Irony, which cycle in a large wheel, each producing the conditions for the next. It is easy and kind of fun to take a text and plot it out according to Frye's structures, but it does not often tell you very much about the text itself. You get a sense of how the text relates to other texts (so, for instance, you see that Pride and Prejudice and As You Like It are both comedies; the first is a prose novel while the other is a dramatic romance), but you can't get a sense of how two texts differ in the case that they occupy the same space in his scheme (so, for instance, you can hardly tell Pride and Prejudice from Sense and Sensibility). A text is more than just a mode/myth/genre combination. Thus one of the ways Northrop Frye's archetypal structuralism fails is that it offers no way to discuss the sorts of idiosyncrasies that make texts what they are. Perhaps Frye's structuralism could serve as a tool to another form of criticism, but in the end it is of little use on its own.

A more contemporary, and even less plausible, school of literary analysis to have failed in the same way is literary Darwinism. Literary Darwinism is the attempt to use evolutionary psychology to discuss literary texts. Proponents say that the features of texts will be consequences of evolved human preferences (they're strict adaptionists), so we should be able to examine texts as a way of examining evolved human traits. In the end, literary Darwinism usually winds up saying that literary texts rehearse primary human drives, specifically the drive to survive and the drive to reproduce. Pride and Prejudice is about trying to fulfill the reproductive imperative, while Oliver Twist is about trying to survive. The sort of evolutionary psychology that is needed to support this claim (one that is strictly adaptionist and does not allow for the existence of spandrels) is pretty outdated and problematic in itself, but even if the scientific side of this method was sound, it would still be bad literary analysis, because it reduces all texts to "universal values". It has no way of accounting for the bewildering idiosyncrasy of texts other than claiming that they are irrelevant artifacts, obstacles to understanding the text's real workings rather than the actual subject of study.

Recently I noticed that one thing these schools of analysis have in common is that they all attempt to introduce a veneer of the scientific into literary analysis. (Frye's "Polemical Introduction" to The Anatomy of Criticism is an exhortation to make literary analysis more scientific; literary Darwinism's affinities with science are obvious.) It's really tempting to make literary analysis a science of literature because science has been so effective when explaining physical events. The scientific method has been one of the most reliable and just plain exciting epistemological devices we've ever hit upon, so cashing in on that is of course really tempting. But science works mainly by induction, generating universal laws from individual data. It moves from the particular to the general. Idiosyncrasy is not especially interesting to scientific research except as a test case for refining universal laws. As I argued using Bourdieu, difference is precisely what makes literary analysis tick. Texts can only be understood with respect to difference as much as to similarity, so trying to make the field scientific will doom it to failure. (Also, literature probably does not operate according to universal laws in the way the physical universe does. That's a hurdle.)

Of course, not all scientific fields are disinterested in idiosyncrasy. Human bodies are quite idiosyncratic, a fact of which the medical field seems aware. And not all of the humanities are interested in idiosyncrasy: a lot of analytical philosophy is all about universals, which is probably why English departments celebrate the continental philosophers which the more analytical philosophy deparments reject. Anthropology seems to balance between the two, but at its best, to quote Ruth Benedict, "[t]he purpose of anthropology is to make the world safe for human differences" (which is why I think Bones, of Bones, is such a terrible anthropologist--she universalizes anthropological observations far too much).

My training in this environment is, I think, part of the reason I am so invested in idiosyncrasy, in differences, in the particular over the universal. It is surely not a coincidence that I share the emphasis on the local over the global with most postmodernist thought, and is maybe why I sometimes get mistaken for an actual postmodernist rather than the appreciative outsider of postmodernism that I actually am. But I am attracted to structuralism more than many of my peers were, too. (Bourdieu is a structuralist, after all; my objections would apply as much to him as to Frye, in fact.) Very recently, I am suspecting that this has impacted my politics, as well. For the better, obviously. (That's supposed to be tongue-in-cheek.)

(tl;dr: Literary analysis only works if you can explain how texts are different from each other; such focus on difference is not true of science, and that's perfectly OK; I suspect that my own concern with the differences between people is at least in part a product of my studies in literary analysis.)

Sunday, 11 March 2012

"Those to Whom it Matters Most"

One more article before I get to work.

In "Gay rights and religion are not opposed to one another," Petra Davis begins by talking about the false binary that much of the same-sex marriage debate has formed:
Lesbian, gay, bi and trans people are as diverse, culturally, as any other group, with many from faith communities among the throng. Gay columnists are quick to deploy generalisations about religious abuse, with little regard for those with complex cultural, sexual and gender identities. If the debate were led by those to whom it matters most - LGBT people of faith - it might well look significantly different.

She moves quickly from this topic to the other issues around which LGBT people might want to organize: say, mental illness or homelessness in the LGBT community. These seem to be more pressing issues that equal marriage rights. Why are they not being addressed? By the end of the article she becomes a bit alarmist--I'm not sure I would want to use the phrase "a new queer fascism"--but barring the final paragraph, it's a good read.

A few disconnected thoughts: the LGBT people of faith may not be leading the conversation because, by now, their voices are thoroughly overwhelmed. I do not imagine that they can speak easily in their religious communities (though that's changing); I don't know enough about LGBT circles, but I imagine there might be silencing there, as well. So asking why the conversation is not being led by them strikes me as a little naive: they have good reason of fearing being outed (as queer or as religious) to either community. But we should also try to avoid the "silent victims" trope, which can re-enforce their victimhood and cast us (whoever we are) as necessary saviours for them. (Avatar, Dances with Wolves, The Blind Side, The Help, etc. etc.)

And perhaps the focus is on marriage rights because those are easier to fix than homelessness, mentall illness, and so forth. It has clear victory conditions. Focusing on the Marriage Front allows one to identify enemies (those who oppose legislation) and easily select tools (lobbying, legal-drafting, etc.) to win that campaign. The other arenas are more serious, but finding out who is blocking you and selecting the best means to acheive your goals are a lot harder when you're combatting increased incidents of mental illness in LGBT people. That daunting (and less clearly adversarial) campaign makes it difficult to draw media attention, financial backers, and public support. It also involves other categories of oppression (ie. mental illness, neurotypicality), which makes delineating your "sides" a lot harder.

Thursday, 12 January 2012

Gamers who are Gay

I recently found this blog: http://vorpalbunnyranch.com/. It concerns the intersection of gender and sexuality studies on the one hand and gaming on the other. To my knowledge, this is far from the only blog to do so. If you don't see me for a few days, I got lost in the Internet again.

Wednesday, 10 August 2011

Another Account of My Absence

G'day, all.

Welcome, if you're here from Unequally Yoked, where the guest post I wrote is now up. To be honest, I'm fairly sure I've made an embarassment of myself, but I suppose we'll have to wait and see what the response is. If you look through some recent posts, you'll see I've provided further positioning about religion in preparation for your arrival. I hope it's helpful or enlightening.


That guest post has reminded me that I haven't done a 7 Quick Takes in a little while, and those spare regular readers I have might be as interested in what's happening in my life more than in my theology/philosophy. (You know, friends and family.) So I figure I should give a run-down of what's been going on in (unusually) sunny Van. However, as it is not a Friday, I feel hesistant about actually writing a 7 Quick Takes today. I'm a genre nerd, after all. However, I will maintain the numbered and bolded list format. Hopefully it will be less of a sprawl that way, but, well, most of what I do resembles sprawling in one way or another, so don't get your hopes up.




1. Part of my absence has been related to Netflix, so I'll start with that. I watched a movie a while back that I would like to recommend called Arranged. Rochel and Nasiri (Orthodox Jewish and Muslim respectively) both start jobs at an elementary school, where the students and staff all assume that they could not get along. Ironically, it is this assumption that causes them to become friends and, together, approach their up-coming arranged marriages and their principal's attempts to "liberate" them. This is an excellent movie, one well worth watching. It has much to recommend it, but most of all it manages to show the downsides of controlling parents while still affirming traditional lifestyles. In particular, Rochel's experience at a contemporary party reflected my own experiences.


I might also recommend 7 Khoom Maaf (Seven Sins Forgiven), a Bollywood film about Susanna Anna-Marie Johannes, an Indian woman who tends to choose the wrong men and, after wedding them, murder them. It's actually a very good film about a very broken woman who seems propelled despite herself on a path of love and violence. A particular scene I found interesting involved two anatomically atypical men engaged in a fight (the pre-arranged sort, in a ring, with spectators) in which neither the spectators nor the camera saw them as anything but competent, dangerous combatants. Their anatomies/abilities aren't ever mentioned.


I have watched a lot more than this (X-Men, the final Harry Potter, Captain America, Cowboys and Aliens, The Rite, Voyage of the Dawn Treader, seasons 2-3 of Heroes), but these are the ones that seem to me worth mentioning.




2. I went to No. 5 Road in Richmond and took photos. No. 5 Road is known for the sheer number of churches, temples, mosques, gurdwaras positioned along it. It has the nickname "The Highway to Heaven" (which isn't really fair, I don't think, to those groups who don't have a concept of heaven). However, because the buildings are recessed on their properties, I didn't get as many nice photos as I would have liked. As a result of this, though, I have started a photo series I am calling The Architecture of Belief, adding to it photos of any house of worship I photograph. I'll add some of those here.
Since then, I have also visited a few labyrinths to photograph, including an abandoned one.



3. I've recently become aware of Gene Robinson and David Somerville. The latter, actually, I learned about when attending a requiem service for him. Ironic? And the former I stumbled on researching for a previous post, and have since listened to his talks on Youtube. His 2008 Creating Change speech is well worth it. (I'm not a big fan of the introduction, so don't let that turn you off of the speech.) This also marks my opinions rather entirely, I guess.




4. Volunteering at the Crane Production Facility is great. (Recap: I narrate selected texts into a computer program; Crane staff will then take my narration and others' narrations and composite them into an audio book for the text impaired.) I've read all sorts of interesting and challenging things, like Proust (that was ambitious!), the appendices of some book, and parts of David Suzuki's The Sacred Balance, an eco-activist book. Yo, American readers, do you guys know who Suzuki is? He's a big deal in Canada, but it's hard to tell how much the States is aware of our exports.


Anyway, Suzuki's book is interesting and fascinatingly composed (I like that kind of science writing a lot), but I do have one complaint: omitting the serial comma in complex lists is atrocious! It's impossible to read it aloud correctly the first time, since that comma is crucial for signalling that this is a new member you're coming upon and that you need to balance your voice accordingly. I had to re-do I don't know how many sentences due to this. Go Team Serial Comma!




5. I visited the Belkin Art Gallery. The current exhibit is Material Witness. Not all of it was my cup of tea, but I should say that I found Konrad Wendt's Gegenstand brilliant (it's a split log--one half is art, the other is firewood), and I loved Martha Wilson's Orchids.




6. I made revisions to a paper on religion and Asian Canadian identity that might get published at some point. I hate revisions (who doesn't?), but it certainly is a stronger paper for it. A book arrived in the university library between drafts, and the information in that book played a large role in those improvements. Funny how much timing has to do with this sort of thing.


7. I visited the Vancouver Art Gallery. The Surrealist exhibit was less interesting to me (though I found some of the philosophical ideas underpinning Surrealism quite interesting, and I found the cultural influences on it--West Coast culture, natural history museums, Freud, Greek myth--a fascinating blend). I did quite enjoy Ken Lum's work, though: his social criticism is sharp, but also quite fun in a lot of ways. His stuff has a quotidian or pop and low culture feel to it, what with 80s-style portraiture attached to billboard-style logos of the subject's names. He also plays a lot with mirrors, and I found his mirror maze a lot of fun. I'd never been in a mirror maze before.


That afternoon I also visited the Bill Reid Gallery of Northwest Coast Art, which is small and out of the way, but worth the visit (if you like Haida art or art theory). I also paid $5 to hold an albino Burmese python named Buttercup and have my picture taken with her. She was a beautiful, heavy, strong animal. The feel of her muscles on my shoulders and neck was wonderful and somewhat disconcerting.




8. I've been apartment-hunting. If all goes well, I'll have a place by the middle of the month, which will give me two weeks to move from one to the other. Fingers crossed.


9. I finally made the trip down to Granville Island to walk around. It's a nice place, though much of its pleasure costs money. There's a lot to look at, though, especially if you are interested in the creation of urban spaces. Much of the area is situated underneath a bridge, so to see how that bridge is used in the definition of vertical space was interesting. There were also lots of wedding photo shoots around when I was visiting.


10. Church stuff: I am being trained for more liturgical responsibilities; specifically, I am being prepared for proto-deacon roles. This is quite unusual (or, you know, unorthodox), as I'm not a deacon or even a diaconal candidate. However, the goal (I think) is to have multiple able to perform all tasks (except the priestly ones, of course) so that liturgical assistants don't need to serve every day. The irony is that I serve almost every week (I haven't had a week without some responsibility since getting back to Vancouver in June), but this might ease off in September, when the other server will be able to come more often.


11. Books. I've not been reading as much as is my wont, but I'll mention Emma and The Epistemology of the Closet. Wikipedia should be able to help you out with both of those, but I'll mention that I found Emma quite slow at the outset and quite engaging at the end, and that I'm quite pleased with Epistemology, especially as the first Axiom that Sedgwick posits is that "People are different from each other." A passing familiarity with my previous posts will indicate how important this idea is to me.


Aaaaaaand I think that should do. There's been letter-writing and MOA-visiting and what have you in there, but I imagine that should satisfy the curiosities of those who care.

Thursday, 21 July 2011

On Denominations and Preferance

[Apologies for ugly white space errors. I seem unable to remove them.]



The other day I wrote a post explaining one reason I prefered liturgical churches, and received some positive feedback on it. In this post I am not contradicting that, but I am going to suggest that that preference, though obviously shared by others, is still personal and non-objective. In so doing, I am going to explain one way that I envision denominationalism, which is mainly wild speculation on my part. Don't expect much reasoned argument. On an entirely separate note, I will begin this post with a brief discussion of Hinduism, because it was in my readings of Hinduism that I begin to think this way about denominations.


In The World's Religions, Huston Smith writes of Hinduism the following:


The spiritual trails that Hindus have blazed toward this goal [to unite the human spirit with God] are four. At first this may seem surprising. If there is one goal, should there not be one path to it? This might be the case if we were all starting from the same point [...]. As it is, people approach the goal from different directions, so there must be multiple trails to the common destination.
Where one starts from depends on the kind of person one is. The point has not been lost on Western spiritual directors. One of the most noted of these, Father Surin, for example, criticized "directors who get a plan into their heads which they apply to all the souls who come to them, trying to bring them into line with it like one who should wish all to wear the same clothes." St. John of the Cross called attention to the same danger when he wrote in The Living Flame that the aim of spiritual directors should "not be to guide souls by a way suitable to themselves, but to ascertain the way by which God Himself is pointing them." What is distinctive in Hinduism is the amount of attention it has devoted to identifying basic spiritual personality types and the disciplines that are most likely to work for each. The result is a recognition, pervading the entire religion, that there are multiple paths to God, each calling for its
distinctive mode of travel.

From which recognition develops the four different yogas in Hinduism. (Actual Hindu yoga is a different order of thing than the sort of lululemon yoga we see in North America; one kind of yoga, for instance, mainly concerns study of Scriptures, while another involves working hard. Body positions are limited to one facet of a certain kind of yoga.) At any rate, what is interesting is the fundamental recognition in Hinduism that "People are different." [Note: that Brahma is often depicted with four faces, as in the photo above, is not to my knowledge related to the existence of four yogas.]


I've done a little denomination hopping in my twenty-and-so years so far, and I can see strengths and weaknesses in each. As I recently outlined, I think that the strengths far outweigh the weaknesses of some ways of doing things and that that's less the case for other ways of doing things. But I constantly find myself coming back to this point that people are different and that these different people have different needs. That is, I know that some people are in such a position that they can't find God in "ceremony." I think this is a bloody shame in the same way I think it's a shame that some people don't like to eat raisins or don't like looking at insects, but I nonetheless sympathize. (Well, I have a hard time sympathizing with anti-insect sentiments. They're just so cute.) I especially sympathize because abuses from whatever church they grew up in could be part of why they can't tolerate that sort of service.


For this reason, while I would not want to attend the sort of church with lots of hand-raising and spontaneous hallelujahs and dancing in the aisles (I cannot emphasize how much I would not want to attend such a chuch), I do encourage their existence. There may be people for whom this is the best path to God, and it is not my place to decide that they must instead sit still in a pew when we sing and must walk calmly and quietly when coming up to receive Eucharist. And I'll also thank-you very much for not calling the way I do things mystifying and bloodless.


So even though I sympathize with the desire to universalize all church services, to insist that churches all incorporate more responsive reading/ Scripture/ spontaneity/ traditional hymns/ what have you, I want to suggest that that's a bad idea. Basic human variation, locally and across geographies, suggests that we should have different churches that have different ways of worshipping God. Of course, we already have this: denominations. The bonus with denominations is that this allows for difference within a region but similarity across regions; in my last post, Leah commented that she liked universal liturgy because you could go to any Catholic church in the country and know what to expect. Of course that's not always true of Protestant or Anglican churches, but you'll still know that Anglicans and Lutherans will be more litugical while Baptist and Pentacostal churchs will be far less so.


The trouble, however, with taking denominations as simply different in worship style is that that's outright false. Different denominations--different parishes, even--differ not only in practice but in doctrine. I have always found that it is easier to disagree with doctrine than with service style, but there are some doctrines I find too odious to put up with. I have a low tolerance for sexism or homophobia, for instance, and this rather limits my choices. And, unfortunately, certain political positions tend for whatever reason to congregate around certain worship styles. To take denominations as entirely aesthetic and not semantic in difference would be an enormous factual error.


Nonetheless, I will continue to defend the right to worship in ways I find incomprehensible, so long as churches do not violate issues of social justice, and I will tend to choose churches more on worship style than on doctrinal content, beyond certain cut-off points. (This may in part be due to the knowledge that I am probably heterodox in almost any church I enter. But there are places where doctrine crosses over into practice and politics and I am unwilling to tolerate some of those consequences.) This also means that I place a high value on ecumenism, but not on dissolving all denominational distinctions. Due to doctrinal differences, we must have theological conversations across denominations, and due to differences in practice, we can learn practical things from one another as well. But I do not think I would, given the chance, remove the system of denominations wholesale. After all, people are different.
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