Friday, 28 June 2013
What Genres Mean [Index Post]
Other People's [Insert Genre]s Series
In which I talk about how genres alter their content and what this means for choosing the best genre as a vehicle for an idea. In which I also talk about imagining other people's epics, mysteries, etc.
Other People's Epics
Other People's Mysteries
Other People's [Insert Genre]s
National Epics
In which my thinking about potential national epics, particularly an epic for Soviet Canuckistan, evolves somewhat.
7 Quick Takes (XLVIII)
The Canadian Epic
Other People's Epics
The Fantasy Genre
In which I think about problems unique to the fantasy genre.
Magic Realism and the Trick of Taxonomy
Magic, Maps, and Mystery
Miscellany
Multiculturalism in the Monster Kingdom, Parts I and II, which I considered putting under both National Epics and The Fantasy Genre, and in which I talk about how Cyberlore's Majesty 2 both does and does not tell a compelling story about the creation of a hybrid monster culture
As For Me and My House, in which I talk about the self-account genre, a la Judith Butler, in relation to the coming-out narrative, the testimony, and self-disclosure of mental illness.
This Exploitation Might Not Be the Kind You're Thinking of, in which I talk about exploitation flicks and group identities.
A New Poetic Form, in which I make up a form called an aubadina, which is really just a messed-up sonnet, designed specifically to express the parting of ways.
I will update this as I write more posts like these.
Thursday, 30 June 2011
The Canadian Epic

Last year, I wrote how I gave some thought to what a Canadian epic would look like, and that I hadn't gotten very far. You can see that in Take 5. I thought about the kinds of things one would want to include, somehow: maple leaves, maple syrup, fields of corn, mountains and other quintessential Canadian landscapes, beavers, moose, Tim Horton's coffee, hockey, polar bears... (I say this with my tongue partly in my cheek.) Since then I have learned a bit more about Canada and a bit more about epics and I see that there is a problem. There cannot be a Canadian epic.
A national epic, properly understood, has a unified sense of nation. That is, The Aenead offers a sense of Rome as a nation;
The Faerie Queene offers what it means to be English. Not all epics are national; Paradise Lost is a Christian epic, giving a unified and complete sense of Milton's idea of Christendom. I suggest elsewhere that One River (Wade Davis) could be considered to be an ethnobotanical epic. Regardless, whatever it represents, an epic is supposed to embody and represent the ethic and sensibility of that group. It generates or at least displays a coherent identity. If that group has disparate parts, it unifies them. It ties them all in together. It exudes Englishness, Romanness, Christianness, ethnobotanistness. (There is more to an epic than this. Wikipedia gives an OK account of it. If you're interested, it's a very cool form. I'm sure there are articles you can get from an academic library which would discuss it in greater depth.)Mikhail Bakhtin,
a Russian language theorist working in the 1920s, goes further. An epic (or anything written with an epic sensibility) has a single language. In his formulation, a language embodies the social position and worldview of that speaker. He doesn't hear mean the distinction between French, Russian, English, Latin, etc. "Language," rather, refers to smaller groupings. Think, for instance, of the language used by politicians in speeches as a language, or the language of legal documents, or the language of Catholic sermons, or of Evangelical sermons, or of atheist bloggers, or of daycare workers when speaking to children, or of "storytelling voice", or of flirtation, or of plumbers talking about their trade, or of nineteen-year-olds texting one another. Each of these has its own patterns; in each of these, the same word may have different meanings (think, for instance, of what "reasonable" might mean in each of these languages, or whether that word could even be said in all of them). Each also, therefore, represents a different set of relationships between words and ideas and people. That is, each represents a different wordview. The epic is written in a single language. If other languages appear, they appear as objects that the author is presenting, not positions the author is adopting.Canada is too diverse for an epic to work. More than this, we are self-consciously diverse. The political vision of a unified Canada might suggest that we could rally under multiculturalism--in fact, that often is the political vision of Canada--but unfortunately we cannot easily do this. If we were to honestly and fairly incorporate different people into the Canadian epic, we'd have a problem. Many of the First Nations, Inuit, Asian immigrated, Eastern European immigrated, and African immigrated people would have a problem with the sort of Canadian narrative offered. They (rightly) have problems with the existing narrative offered. It would be all but impossible to find a story which could incorporate all of their voices. A story that could would lose it's unity; it would lose any sense that there is one way to be Canadian. That there is such a thing as Canadianness.
Further, Canadian regionalism gets in the way. How does one reconcile Vancouver, for instance, with Ontario? Many people in Vancouver rebel against the idea that Ottawa speaks for Canada; at least, if Ottawa speaks for Canada, it certainly doesn't speak for Vancouver. In many ways, Vancouver feels more aligned with Seattle and Hong Kong than with the rest of Canada. And what of Quebec? What of Newfoundland? What of Nunavut?
Each has its own reason for feeling alienated from a sense of unified Canadian identity, either because they stick so fiercely to their own culture (Quebec), or because they feel that the federal government's policies are deliberately harmful to their economy (Newfoundland), or because their government, ethnic constitution, and basic living conditions are so fundamentally different from the rest of the country's (Nunavut). Each province and territory has a unique political climate, physical and vegetative landscape, occupational environment, music scene, colonial history, and (often) accent and vocabulary.And, unlike the United States, we haven't mythologized the founding of our country. We don't speak of principles on which our Constitution is based, or of the intentions of Founding Fathers, or of some vague sense of democratic ethics synonymous with our country's name. We don't take ourselves to be representative of freedom or democracy or human rights (though we have as good a claim to be so as the United States does).
Maybe this is why things like maple syrup, polar bears, beavers, moose, the "Canadian landscape," and hockey are Canadian symbols:
they're blank, they're less charged (though hockey is becoming a problem), they're unrelated to the actual things Canadians live with and face. But for the same reason, they can't represent us in any meaningful way. And, anyway, not even something like winter can be taken as universal. A friend from Vancouver has said to me that he's never experienced a so-called "Canadian" winter and he's lived here most of his life. And it's not as though Canada's the only place to get winter. Alaska has a winter, as do Russia and the Scandinavian countries.So Bakhtin's sense of a novel might work better. The novel is structured around heteroglossia, the juxtaposition of voices. Good examples of heteroglossia in English are Sterne, Dickens, and Austen. Even the authoral language is seen from the viewpoint of secondary languages; language which is parodied nonetheless resists parody, exists in its own right and must be taken as a self-contained language. (Not all things we call novels today fit in this definition. Most are much more unitary, more like epics.) Perhaps, then, there can be a Canadian novel, but it would nonetheless not have the sense of unified identity. Rather, it would at best suggest multiple, contradicting ways of being Canadian. The Great Canadian Novel cannot really be Greatly Canadian because it can never be finished. That, in fact, would be the only essentially Canadian thing about it; the disagreeing voices would multiply beyond the possibility of representation.
And so over the course of the last year I have come to recognize that writing the Canadian would not be hard but rather impossible. Of course all groups have much internal dissent, and one wonders how many sixteenth century English readers rebelled against Spenser's sense of the English, or how many seventeenth century readers rebelled against Milton's sense of the Christian. (I'd say "a lot" for the latter.) But there was at least a sense that the authors could fool themselves into thinking they'd done it. Such self-delusion would be much more difficult for Canada at this time. Perhaps it would be possible in Ottawa or in an Ontario public school, where a sense of Canadian identity is much more fierce. But if, like me, you've travelled a bit more of the country, spoken to more of the people in it, studied more of its history, you'll start to see that it can't be done.
No. If I want to write an epic, it can't be a nationalist one. But I can still write a Canadian [genre], I suppose, so long as its incompleteness is highlighted.
(And maybe I can still write an epic, but one for a different kind of category. A literary analytical epic, for instance? A bookworm epic? An Anglican universalist epic?)
Friday, 17 June 2011
7 Quick Takes (77)

to see my brother graduate. If you are a reader in Ontario and you are wondering why I didn't visit, it's because my schedule was very full. We visited family and friends of the family. We ran some errands. We poked around Stratford, the city where I went to high school.2. For my birthday, my brother gave me a painting, among other things. You can see it here. It is entitled Calliphoridae Megacephala (I assume). I think you'd have to be in our family or a close friend to fully understand why this is a real present.
Other friends would have gone were it not for Game 7 (see next entry). It was an interesting production. Off the top, I'll say that the costumes, acting, and music were as good as one could want. Shylock was especially wonderful. But as with any production of Merchant, there are some particular problems that are hard to overcome. Portia is racist. In order to mitigate this, I think, they really played the suitors from Carthage and Aragon as ridiculous figures, but with the culturally and racially sensitive dialogue, this verged on being racist in and of itself. Further, Shylock's forced conversion is horrifying, but not as horrifying as the audience's laughter at it. One of the more interesting choices, I think, is to make the homosocial relationship between Antonio and Bossanio an unreciprocated romantic relationship: Antonio clearly loved Bossanio as something other than a son, and his melancholy was "explained" by Bossanio leaving him. However, I like a tinge of sorrow in fictions, so this lingering plot, coupled with other moments of sadness and discomfort in the midst of the comedy (including a really uncomfortable Jessica), gave the play a depth and self-consciousness that I think was necessary. As one of my friends said, you can't really play it as a straight comedy any more.
If you've been following Canadian news or coverage of the Stanley Cup, you may know what I'm talking about. Post-game rioters turned and torched sixteen police vehicles and looted numerous businesses in the Vancouver district. Also in attendance were riot police.Friday, 24 December 2010
7 Quick Takes (69)

Jen won't be hosting 7 Quick Takes this week, but for reason you'll soon know today is still OK for me to do this. I haven't been on for a week, either, so perhaps it's about time I let you know what's been happening.
2. I finally finished and turned in my paper. I'm not very pleased with it, but I suppose it's passable. That took far more work and stress than anticipated. I still have a paper left to do over the break, which is less than pleasing.
3. On Monday I went to visit a friend in Richmond. We ate at a Malaysian place in the Aberdeen Centre. I also managed to get myself headed in the wrong direction on the way home; I only noticed my error when I saw a mountain in the wrong place.
4. On Tuesday I caught a flight from YVR. There's a Bill Reid sculpture there which is nationally famous by way of being printed on the back of the $20 bill. I got some photos of that. That evening I arrived in Fort McMurray, as did my brother.
5. On Wednesday we celebrated Christmas. My Dad works Christmas Day so we just pick a day when we're all together to celebrate Christmas. After all, the 25 of December probably isn't the actual anniverary of Christ's birth, so we generally figure one arbitrarily chosen day is as good as another arbitrarily chosen day as far as present-distribution goes. I'll still be headed to church tonight, but we've done the gift-giving already.
6. Also on Wednesday my brother and I had to go to the dentist's. At the dentist's I was told I needed to get a filling, for which I went in again on Thursday. The check-up, x-ray, and cleaning took more time than the filling did. It was a quick and easy process. The only downside is that there's now this strange stuff in my back molar to which I will need to adjust. Believe it or not, this is the first filling I've ever had. I don't like being unfamiliar with the inside of my own mouth.
7. My mother gave my brother Avatar for Christmas, so we watched in yesterday. I'd never seen it before. I was fairly impressed, but I hear it has nothing on being seen in 3D. I might post about it; I might not. We shall see.
I also received Castle Waiting from the brother and read it yesterday. More discussion on it later. (I received many other books, too, but I haven't finished them yet.)
8. On Tuesday I visited former employers. Sometime this weekend we intend to go walking and/or tobaganning. We also plan to visit Edmonton. However, you shall hear next Friday whether this plans come to fruition.
That is all. Merry Christmas!
Sunday, 10 October 2010
Friday, 2 July 2010
7 Quick Takes (XLVIII)

Thursday, 1 July 2010
Happy Canada Day!
You've heard the discussion about changing our national anthem? Well, I know where my vote's headed.
Friday, 5 March 2010
7 Quick Takes (XXXII)

But when and if the issue of finiteness is settled, we will have to ask how it happened that so many members of a research program were unaware of the status of one of the key results in their field. Should it not be of concern that between 1984 and 2001 many string theorists talked and wrote as if it were a fact that the theory was finite? Why did many string theorists feel comfortable talking to outsiders and insiders alike, using language that implied the theory was fully finite and consistent?
Finiteness is not the only example in string theory of a conjecture that is widely believed but so far unproven. What is sure is that the strongest of these conjectures is far from proved, although some weak version is certainly well supported. But this is not how some string theorists see it...
Friday, 26 February 2010
7 Quick Takes (XXXI)

Coles, the girl at cash reminds me somewhat of Penelope from Questionable Content, only not so skinny and shorter. (I use the present tense of "reminds" because this is on-going; I see her now pretty much whenever I go to Coles.)
Two points of particular happiness: Mens, Canada v. Russia; Womens, Canada v. USA, for Gold. Yay! Canada!Friday, 19 February 2010
7 Quick Takes (XXX)

1. If my life were other than what it is, then that St. Valentine's Day occured in 7 Quick Takes week 30, or XXX, would perhaps be appropos. I almost wish I could claim to have counted it out in advance and specifically planned for this sort of synchronicity, but, alas, I can claim no such thing. And, since my life is what it is and isn't what it isn't, nothing occured this St. Valentine's Day that would make even a single X rating applicable. Sorry that I can't provide your excitement for the day.
(Actually, for future reference, if anything ever were to happen which might deserve an X rating, you'd never hear of it.)
2. This past weekend, as you know, I went with the folks to Fort Chipewyan. In Alberta and now some other Canadian provinces, this Monday was Family Day, which is I think a civic holiday, which at the very least means that I didn't work. As with most three-day weekends, we left to go do something.
So, the trip to Fort Chip went something like this: on Saturday we drove north on the Winter-Access Road for five-to-six hours, seeing on the way a grouse and some ptarmigan, not to mention awesome environments. We arrived in Fort Chipewyan and went into our accomadations--the Northern Lights Bed and Breakfast--which was a nice though modestly-sixed house decorated mainly with aboriginal artwork. I stayed in the Bison's Guest Room.
That afternoon we went dogsled riding and learned all sorts of things, and got to play with husky puppies. The puppies were one sixteenth wolf, which the owner says doesn't really mean anything at all. By the time you breed the agression out of dog-wolf hybrids, you've lost any genetic advantages the wolf ancestry might have. The father of these pups (one eight wolf) was simply a very good sled dog, and the owner did not want to lose those genes. Anyway, if you're ever in Fort Chipewyan, give Robert Grandjambe a call. If you think you're headed that way, contact me and I'll set you up with his phone number.
On Sunday we tried to drive to Fort Smith and the Northwest Territories border, but failed to get there. The roads were so rough that we were forced to drive at about 35-40 km per hour, which doesn't make trips go any quicker. We, alas, saw no bison or moose, notwithstanding being in Wood Buffalo National Park. We did see bison tracks, and we saw the Peace River. I will sometime get photos of the drive onto this blog.
Sunday afternoon we returned to town and visited the museum there. It was small, but they had some cool stuff, including a beaver-paw purse and a Chipewyan syllabic typewriter. Also, we went to the top of the hill behind the museum to see the cairn and to look over the Lake Athabasca. In so doing I stood on some exposed Canadian Shield, which made me happier than you'd likely imagine. I did not spend much of my life on the Canadian Shield, living just south of it; this being said, I have always for some reason been attached to it, and to the exposed rock of northern Ontario, and so standing on that same geological formation seemed like a connection to my distant homeprovince. Also, it has "Canadian" it in, and for some reason I'm right now really into Canadiana.
Anyway, we also visited the church, drove around town, and ate at the Lodge, which Lodge burnt to the ground a day or so after we left.
What I learned about Fort Chip is that their likely-government-subsidized housing looks boring on the outside but may nonetheless be quite nice on the inside; that their cemetary has primarily wooden crosses and many of the plots are individually surrounded by picket fences and may have covers; that Fort Chipewyan has just as many ravens as Fort McMurray; and that Fort Chipewyan, like Fort McMurray, is fit in and around hills and so appears smaller at first glance than it really is.
We drove home on Monday, a drive during which I mainly felt nauseated and slept, though I did pen a sonnet before conking out.
3. All this week has been sunny and mild. With the exception of today, snow has been melting off of the boardwalks at work. It's been deceptively spring-like, and memories of Fort McMurray in the summer have been pounding through my blood. Disappointment is coming, I am sure, as we aren't through with winter yet. This being said, I cannot wait for spring. Except when I'm doing awesome winter things, like dogsledding, or when I am seeing the feather-prints of ravens in the snow. This happens daily now.
4. I have now read some of those other library books, including most of the Best Canadian Short Stories 08 and the pre-Tolkien fantasy stories. The latter are quite fun, to be honest with you. I hadn't expected them to be as good as they are. Hopefully I'll have the time and inclination to discuss them with you. In a later post.

Monday, 15 February 2010
The Fort Chip Adventure: Where I Play With Husky Pups and Go Dogsledding

The Fort Chip Adventure: Where We Take the Winter Access Road North















































